An activist organization has claimed to have scraped millions of songs from the popular streaming service and is getting ready to publish them publicly.
Industry experts said the seeming leak could boost artificial intelligence firms searching for data to train their technology.
An entity known as Anna’s Archive said it had scraped 86 million music files from Spotify and 256 million entries of associated data such as performer and album names. Spotify, which hosts more than 100 million songs, confirmed that the breach did not constitute its full inventory.
“We have located and disabled the malicious user accounts that were involved in illegal scraping,” stated a Spotify representative.
The Swedish service, which has more than 700 million subscribers worldwide, further explained that an inquiry into unauthorized access identified a external actor collected public metadata and employed questionable methods to bypass DRM protections.
Spotify does not believe the audio acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
The group claimed the music files represented 99.6% of all music listened to by its listeners and would be shared via ‘torrents’, a method of sharing large digital files online.
“Of course the service doesn’t have all the music in the world, but it’s a great beginning,” said Anna’s Archive, which frames its purpose as “preserving humanity’s information and culture”.
Ed Newton-Rex for protecting artists’ rights, said the leaked music would likely be used for developing AI models.
“Educating models on illegally sourced data is unfortunately common in the AI industry, so this stolen music is highly likely to be used instructing AI models,” he said.
The Anna’s Archive site makes references to a large online archive, a huge online archive of copyrighted books that has allegedly been leveraged by Meta to train its systems.
A founder of an artificial intelligence company posted on the professional network that individuals of the public could in theory “build their own personal free equivalent of Spotify”. He said it could also allow technology firms to “train on modern music at a large volume”.
Intellectual property law has become a battleground between creatives, writers and content creators on one side and AI companies on the other.
In the UK, artists and writers have raised concerns against a government suggestion to allow AI companies use protected work without permission unless the rights holder opts out. Almost every participant to a government call for evidence on the idea has supported artists’ apprehensions.
The secretary of state for technology, innovation and technology told parliament this month there was “no clear consensus” on the matter, noting that ministers would “use the time to get this right”. The administration has pledged to make policy proposals on AI and copyright by March 2025.
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